Articles

Brooklyn Voices – March 2015

May 16, 2015 by David K. Moseder

Congratulations to Brooklyn’s newest Grammy Award winners: Angelique Kidjo (Best World Music Album, Eve) and St. Vincent (Best Alternative Music Album, St. Vincent)… The latter... read article

Brooklyn Music Milestones – March 2015

May 16, 2015 by David K. Moseder

March 11, 1972: Brooklyn Heights’ own Harry Chapin releases his first studio album, Heads & Tales. Featuring his brother Steve Chapin on keyboards and fellow... read article

Ladysmith Black Mambazo at Brooklyn Center for the Performing Arts

May 16, 2015 by B.L. Howard

Four time Grammy winners Ladysmith Black Mambazo have been performing for over six decades under the tutelage of founder and musical director Joseph Shabalala, who... read article

Erel Pilo Works Up An “Appetite for Love”

May 16, 2015 by Adina Bernstein

Erel Pilo grew up in a house where music was a constant. Her father, who was also a musician, introduced her to the classics at... read article

Ashes to Hot Dogs: Woody Guthrie’s Final Repose

May 16, 2015 by David K. Moseder

After Woody Guthrie passed away in 1967, his family committed his ashes to the ocean at the beach in Coney Island. Nora Guthrie shared her... read article

Nora Gutrhrie -photo by Tina Tschirch -courtesy of Woody Guthrie Publications

Nora Guthrie photo by Tina Tschirch / courtesy of Woody Guthrie Publications

Brooklyn Background Helps Nora Guthrie Keep Her Father’s Legacy Alive

May 16, 2015 by The Brooklyn Roads Team

Woody Guthrie once said, “All you can write is what you see.” Now folks can experience what the folk music legend wrote about with... read article

Marching into a Musical Month

May 16, 2015 by B.L. Howard

Cold weather got you down? Can’t feel your nose, toes, and everything in between? Well grab your fish oils and a glass of milk to... read article

Игровые Автоматы Казино Joycasino Онлайн

February 20, 2015 by The Brooklyn Roads Team

Нередко виртуальные казино имеют настолько обширные портфолио игр, что им могут позавидовать абсолютное большинство наземных игорных заведений.

Brooklyn Voices – December 2014

December 5, 2014 by David K. Moseder

Congrats to NAS on being chosen to headline Melbourne’s Sugar Mountain Festival. The Crown Heights’ born rapper recently unveiled a new track and video, The... read article

Brooklyn Music Milestones – December 2014

December 5, 2014 by David K. Moseder

Jan. 5, 1975: The Wiz, Broadway’s rock-and-soul reimagining of The Wizard of Oz, opens at the Majestic Theatre. Playing the lead role of Dorothy is... read article

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Artists on our Radar

Brayden Baird Is Asking the Big Questions – And Making You Laugh Through the Pain

Brayden Baird -photo courtesy of Mix-Tape Media

After decades of producing and releasing music under various aliases, Brooklyn’s own Brayden Baird is stepping into the spotlight with his most raw and refined work yet. Backed by the Once in a Lifetime Band, Baird’s upcoming LP Lord, why do you do these things to me? is a heartfelt and even satirical exploration of grief, identity, and faith that refuses to follow conventional sounds before its time. Across the ten-track album, Baird weaves catchy humor with emotional vulnerability, building a soundscape that feels intimate and extravagant all at once. His lyrics are clever without being cynical and full of sincerity; this delicate balance places him alongside emerging alt-folk figures like Cameron Winter and Nate Amos. The album kicks off with its title track, a sharp, stomping folk-rock number that wrestles with clever anecdotes and the chaos of unanswered prayers. From there, the songs unravel like chapters in a personal essay. The blending of stories of loss, family, addiction, and self-discovery comes about in just about every track. “Light in the Tunnel” turns a daily subway ride into an anthem of personal awakening. At the same time, “When Will the Sun Rise Again?” delivers a haunting, piano-led meditation on mourning and artistic authenticity. Other tracks showcase Baird’s gift for finding light in unlikely places. “Blue for the Body” is a lively reflection on coping mechanisms based on Gatorade flavors, which Baird says “is intended as a fun jam that people can sing and play along to and make light of the weight of addictions.”. “Pelican” draws on childhood lore amid his father’s mythical stories that untangle complex family bonds. With the accompanying music video for this track, Baird draws on whimsical elements of his father’s storytelling, saying, “In life, it is so easy to hate somebody based on the things they’ve done and so hard to forgive. After all, we are just working with the things we’ve got.” One of the album’s most affecting moments, which comes halfway through “It Kills Me to See You Sick,” channels rage and helplessness into a hushed piano ballad that’s both deeply personal and widely relatable, with Baird recounting the pain and sadness behind the song’s creation as his mom was diagnosed with Cancer as other family members were simultaneously hospitalized. On the last track of the album, “When You Were Castrated,” Baird confronts mortality and estrangement with brutal honesty about his father’s passing, delivering a final note that is at once heartbreaking and cathartic. Baird’s musical world is one of contradictions: funny and tragic, sarcastic and sincere, spiritual and grounded. With Lord, why do you do these things to me?* he’s created an album that doesn’t just tell stories but invites listeners to sit with them, question them, and sing along anyway. Catch Brayden Baird and the Once in a Lifetime Band at their album release show at The Rabbit Hole in Brooklyn on June 26 and stream the whole record on June 20.

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